04/10/1953 | Mobleyzation | Alto Sax | 24 bars (2 choruses) |
05/20/1953 | Futurity | Alto Sax | 64 bars (2 choruses) |
05/20/1953 | Ittapnna | Alto Sax | 32 bars (1 chorus) |
05/20/1953 | Jarm | Alto Sax | 32 bars (1 chorus) |
05/20/1953 | Jarm | Alto Sax | 32 bars (1 chorus) |
05/20/1953 | Shabozz | Alto Sax | 32 bars (1 chorus) |
05/20/1953 | Shabozz | Flute | 16 bars (0.5 chorus) |
08/28/1953 | Brownie Eyes | Alto Sax | 16 bars (0.5 chorus) |
08/28/1953 | Hymn to the Orient (Hymn of the Orient) | Alto Sax | 16 bars (0.5 chorus) starting from bridge |
08/28/1953 | Hymn to the Orient (Hymn of the Orient) | Alto Sax | 16 bars (0.5 chorus) starting from bridge |
08/28/1953 | Minor Mood | Alto Sax | 24 bars (2 choruses) |
08/28/1953 | Wail Bait | Alto Sax | 16 bars (0.5 chorus) starting from bridge |
08/28/1953 | Wail Bait | Alto Sax | 16 bars (0.5 chorus) starting from bridge |
09/26/1953 | La Rose Noire | Alto Sax | 32 bars (2 choruses) |
09/26/1953 | Paris the Beautiful | Alto Sax | 32 bars |
09/26/1953 | Paris the Beautiful | Alto Sax | 24 bars and cadenza |
09/27/1953 | Anne Marie (I Need You So) | Alto Sax | 52 bars to cut off |
09/27/1953 | Anne Marie (I Need You So) | Alto Sax | 40 bars to cut off |
09/27/1953 | Anne Marie (I Need You So) | Alto Sax | 64 bars (2 choruses) |
09/27/1953 | Anne Marie (I Need You So) | Alto Sax | 36 bars including coda |
09/27/1953 | Anne Marie (I Need You So) | Alto Sax | 128 bars (4 choruses) |
09/27/1953 | I Can't Get Started | Flute | 8 bars and cadenza |
09/27/1953 | I Can't Get Started | Flute | 32 bars (1 chorus) |
09/27/1953 | I Can't Get Started | Flute | 16 bars and cadenza starting from bridge |
09/29/1953 | Deltitnu | Alto Sax | 96 bars (3 choruses) |
09/30/1953 | All the Things You Are | Alto Sax | 36 bars (1 chorus) |
09/30/1953 | All the Things You Are | Alto Sax | 36 bars (1 chorus) |
09/30/1953 | All the Things You Are | Alto Sax | 24 bars (0.67 chorus) 4-bar exchanges with Brown |
09/30/1953 | Blue Concept | Alto Sax | 36 bars (3 choruses) |
09/30/1953 | Blue Concept | Alto Sax | 36 bars (3 choruses) |
09/30/1953 | Goofin' with Me | Alto Sax | 64 bars (2 choruses) |
09/30/1953 | I Cover the Waterfront | Alto Sax | 32 bars (1 chorus) and cadenza |
10/08/1953 | Baby | Alto Sax | 64 bars (2 choruses) |
10/08/1953 | Baby | Alto Sax | 32 bars (1 chorus) |
10/08/1953 | Baby | Alto Sax | 32 bars (1 chorus) |
10/08/1953 | Minority | Alto Sax | 64 bars (4 choruses) |
10/08/1953 | Minority | Alto Sax | 4 bars |
10/08/1953 | Minority | Alto Sax | 48 bars (3 choruses) |
10/08/1953 | Minority | Alto Sax | 4 bars |
10/08/1953 | Minority | Alto Sax | 48 bars (3 choruses) |
10/08/1953 | Minority | Alto Sax | 4 bars |
10/08/1953 | Salute to Birdland (Salute to The Bandbox, Reunion) | Alto Sax | 48 bars (1 chorus) |
10/08/1953 | Salute to Birdland (Salute to The Bandbox, Reunion) | Alto Sax | 4 bars |
10/08/1953 | Salute to Birdland (Salute to The Bandbox, Reunion) | Alto Sax | 4 bars |
10/08/1953 | Salute to Birdland (Salute to The Bandbox, Reunion) | Alto Sax | 48 bars (1 chorus) |
10/08/1953 | Salute to Birdland (Salute to The Bandbox, Reunion) | Alto Sax | 8 bars |
10/08/1953 | Strictly Romantic | Alto Sax | 32 bars (1 chorus) |
10/09/1953 | Bum's Rush | Alto Sax | 64 bars (2 choruses) |
10/09/1953 | Bum's Rush | Alto Sax | 8 bars bridge |
10/09/1953 | Bum's Rush | Alto Sax | 64 bars (2 choruses) |
10/09/1953 | Bum's Rush | Alto Sax | 8 bars bridge |
10/09/1953 | Bum's Rush | Alto Sax | 64 bars (2 choruses) |
10/09/1953 | Bum's Rush | Alto Sax | 8 bars bridge |
10/09/1953 | Quick Step | Alto Sax | 32 bars (1 chorus) |
10/09/1953 | Quick Step | Alto Sax | 8 bars bridge |
10/09/1953 | Quick Step | Alto Sax | 32 bars (1 chorus) |
10/09/1953 | Quick Step | Alto Sax | 8 bars bridge |
10/09/1953 | Quick Step | Alto Sax | 32 bars (1 chorus) |
10/09/1953 | Quick Step | Alto Sax | 8 bars bridge |
10/10/1953 | Anne Marie (I Need You So) | Alto Sax | 160 bars (5 choruses) |
10/11/1953 | (Venez Donc) Chez Moi | Alto Sax | 64 bars (2 choruses) |
10/11/1953 | Hello | Alto Sax | 64 bars (2 choruses) |
10/11/1953 | No Start, No End | Alto Sax | 86 bars (solo in progress at start) |
10/12/1953 | Evening in Paris | Alto Sax | 48 bars (1.5 choruses) last 16 starting from bridge with guitar obbligato |
10/12/1953 | Evening in Paris | Alto Sax | 48 bars (1.5 choruses) last 16 starting from bridge with guitar obbligato |
10/12/1953 | Evening in Paris | Alto Sax | 48 bars (1.5 choruses) last 16 starting from bridge with guitar obbligato |
10/13/1953 | All Weird | Alto Sax | 64 bars (2 choruses) |
10/13/1953 | All Weird | Alto Sax | 64 bars (2 choruses) |
05/19/1954 | Blue Concept | Alto Sax | 60 bars (5 choruses) |
05/19/1954 | Deltitnu | Alto Sax | 96 bars (3 choruses) |
05/19/1954 | A Night at Tony's | Alto Sax | 64 bars (2 choruses) |
05/19/1954 | Stupendous-Lee (Au Tabou) | Alto Sax | 64 bars (2 choruses) |
05/20/1954 | Eleanor | Alto Sax | 36 bars (3 choruses) |
05/20/1954 | Futurity | Alto Sax | 32 bars (1 chorus) |
05/20/1954 | Hello | Alto Sax | 16 bars (0.5 chorus) |
05/20/1954 | Mayreh | Alto Sax | 32 bars (1 chorus) |
05/20/1954 | Minority | Alto Sax | 48 bars (3 choruses) |
05/20/1954 | Salute to Birdland (Salute to The Bandbox, Reunion) | Alto Sax | 48 bars (1 chorus) |
05/20/1954 | Simplicity | Alto Sax | 32 bars (1 chorus) |
05/20/1954 | Strictly Romantic | Alto Sax | 8 bars over trumpet |
03/07/1955 | Embraceable You | Alto Sax | 64 bars (2 choruses) |
03/07/1955 | Embraceable You | Alto Sax | 32 bars (1 chorus) |
03/07/1955 | Jordu (Jor Du, Cet Air La, Mellow Mood, Minor Encamp, Minor Escamp) | Alto Sax | 64 bars (2 choruses) |
03/07/1955 | Oh Yeah! (Yes I Will) | Alto Sax | 48 bars (4 choruses) |
03/07/1955 | Oh Yeah! (Yes I Will) | Alto Sax | 48 bars (4 choruses) |
03/07/1955 | Sometimes I'm Happy | Alto Sax | 96 bars (3 choruses) |
05/26/1955 | Blue Lights | Alto Sax | 48 bars (4 choruses including 4-bar send-off) |
05/26/1955 | Capri | Alto Sax | 72 bars (2 choruses) |
05/26/1955 | The Infant's Song | Alto Sax | 16 bars (0.5 chorus) |
05/26/1955 | Social Call | Alto Sax | 32 bars (1 chorus without 4-bar tag) |
08/12/1955 | Another One | Alto Sax | 16 bars (0.5 chorus) starting from bridge |
08/12/1955 | Bohemia After Dark | Alto Sax | 32 bars (1 chorus) |
08/12/1955 | Kamman's A'Comin' | Alto Sax | 36 bars (3 choruses) |
08/12/1955 | Minor Seventh Heaven | Alto Sax | 16 bars (0.5 chorus) starting from bridge |
08/12/1955 | Scorpio | Clarinet | not improvised |
09/17/1955 | Bohemia After Dark | Alto Sax | 28 bars behind announcer's sign off to fade out |
09/17/1955 | Kamman's A'Comin' | Alto Sax | 32 bars (2 blues choruses plus 8 bars) |
09/17/1955 | You'd Be so Nice to Come Home To | Alto Sax | 32 bars (1 chorus) |
10/15/1955 | Brake's Sake | Alto Sax | 68 bars (2 choruses) |
10/15/1955 | Gallop's Gallop | Alto Sax | 64 bars (2 choruses) |
10/15/1955 | Gallop's Gallop | Alto Sax | 32 bars (1 chorus) |
10/15/1955 | Nica's Tempo | Alto Sax | 88 bars (2 choruses) |
10/15/1955 | Shuffle Boil | Alto Sax | 32 bars (1 chorus) |
10/21/1955 | Evening in Casablanca | Alto Sax | 22 bars starting from bridge |
10/21/1955 | Evening in Casablanca | Alto Sax | last 14 bars of form |
10/21/1955 | Forecast (Table Chess) | Alto Sax | 2 bars intro |
10/21/1955 | Forecast (Table Chess) | Alto Sax | 64 bars (2 choruses) |
10/21/1955 | Nica's Tempo | Alto Sax | 88 bars (2 choruses) |
10/21/1955 | Sans Souci (San Souci) | Alto Sax | 64 bars (2 choruses) |
10/21/1955 | Satellite | Alto Sax | 56 bars (1 chorus of different form than 32-bar head) |
10/21/1955 | Shabozz | Alto Sax | 64 bars (2 choruses) |
10/22/1955 | Social Call (vocal) | Alto Sax | 16 bars (0.5 chorus) |
10/22/1955 | You'll Always Be the One I Love | Alto Sax | 8 bars starting from bridge |
10/30/1955 | In a Meditating Mood | Alto Sax | 14 bars |
10/30/1955 | Kerry Dance | Alto Sax | 32 bars (1 chorus on modified "I Got Rhythm" chord changes) |
10/30/1955 | Smoke Signal | Alto Sax | 8-bar interlude and 2-bar break |
10/30/1955 | Smoke Signal | Alto Sax | 32 bars (0.5 chorus) |
10/30/1955 | Speculation | Alto Sax | 48 bars (4 choruses) |
01/17/1956 | The Emperor | Alto Sax | 32 bars (1 chorus) |
01/17/1956 | Vibrations | Alto Sax | 16 bars |
01/17/1956 | Vibrations | Alto Sax | 4 bars |
03/01/1956 | Come Rain or Come Shine | Alto Sax | 64 bars (2 choruses) and 2-bar coda |
03/02/1956 | It's You or No One | Alto Sax | 64 bars (2 choruses) |
03/02/1956 | No Love, No Nothin' | Alto Sax | 32 bars (1 chorus) |
03/14/1956 | Knights at the Castle | Alto Sax | 32 bars (1 chorus) |
03/14/1956 | Not so Sleepy | Alto Sax | 40 bars (1 chorus on ABA form) |
06/11/1956 | Nica's Tempo | Alto Sax | 20 bars starting from bridge |
06/12/1956 | Smoke Signal | Alto Sax | 64 bars (1 chorus) |
07/07/1956 | The Emperor | Alto Sax | 64 bars (2 choruses) |
07/07/1956 | Show Time | Alto Sax | 80 bars (2 choruses) |
07/07/1956 | Word from Bird | Alto Sax | 34 bars |
11/09/1956 | Bud Study | Alto Sax | 16 bars 2-bar exchanges with Sulieman |
11/09/1956 | Bud Study | Alto Sax | 48 bars (1 chorus) |
11/09/1956 | Dee's Dilemma | Alto Sax | 34 bars (1 chorus less 2-bar trumpet break) |
11/09/1956 | Shome | Alto Sax | 36 bars (3 choruses) |
11/09/1956 | Stablemates | Alto Sax | 36 bars (1 chorus) |
11/09/1956 | Stablemates | Alto Sax | 36 bars (1 chorus) 4-bar exchanges with Sulieman |
11/09/1956 | Transfiguration | Alto Sax | 64 bars (2 choruses) |
11/09/1956 | Transfiguration | Alto Sax | 64 bars (2 choruses) 2-bar exchanges with Sulieman |
11/09/1956 | Yesterdays | Alto Sax | 16 bars (0.5 chorus) |
11/09/1956 | Yesterdays | Alto Sax | 8 bars interlude |
02/02/1957 | Going off Stage | Alto Sax | 64 bars (2 choruses) |
02/02/1957 | Let's | Alto Sax | 96 bars (3 choruses) |
02/02/1957 | Slipped Again (Thad's Blues) | Alto Sax | 20 bars (1.67 choruses) |
02/02/1957 | Thadrack | Alto Sax | 32 bars (1 chorus) |
02/04/1957 | Nica's Tempo | Alto Sax | 44 bars (1 chorus) |
02/04/1957 | Smoke Signal | Alto Sax | 8-bar interlude and 2-bar break |
02/04/1957 | Smoke Signal | Alto Sax | 32 bars (0.5 chorus) |
02/04/1957 | Speculation | Alto Sax | 12 bars (1 chorus) |
02/04/1957 | Speculation | Alto Sax | 24 bars (2 choruses) |
02/05/1957 | Over the Rainbow | Alto Sax | 64 bars (2 choruses) |
02/05/1957 | Sans Souci (San Souci) | Alto Sax | 64 bars (2 choruses) piano out on 1st |
02/27/1957 | Geraldine | Alto Sax | 16 bars |
02/27/1957 | Love for Sale | Alto Sax | 64 bars (1 chorus) |
02/27/1957 | Minority | Alto Sax | 80 bars (5 choruses) |
03/07/1957 | Straight Ahead | Alto Sax | 20 bars |
03/07/1957 | Wake Up! | Alto Sax | 64 bars (2 choruses) |
03/07/1957 | Wake Up! | Alto Sax | last 4 bars of bridge |
03/07/1957 | Zing! Went the Strings of My Heart | Alto Sax | 56 bars (1 chorus) |
03/07/1957 | Zing! Went the Strings of My Heart | Alto Sax | last 4 bars bridge |
03/13/1957 | Blue Concept | Alto Sax | 72 bars (6 choruses) |
03/13/1957 | I Remember Clifford | Alto Sax | 8 bars |
03/13/1957 | Little Niles | Alto Sax | 64 bars (1 chorus in 3/4) |
03/24/1957 | Domingo | Alto Sax | 112 bars (2 choruses) |
03/24/1957 | Hasaan's Dream | Alto Sax | 48 bars (4 choruses) |
03/24/1957 | Mesabi Chant | Alto Sax | 34 bars (1 chorus) |
03/24/1957 | Tip-Toeing | Alto Sax | 24 bars (2 choruses) |
03/24/1957 | Tip-Toeing | Alto Sax | 24 bars (2 choruses) |
05/26/1957 | He's My Guy | Alto Sax | 8 bars |
05/26/1957 | Nica's Tempo | Alto Sax | 20 bars starting from bridge |
05/26/1957 | Smoke Signal | Alto Sax | 60 bars |
06/24/1957 | All the Things You Are | Alto Sax | 24 bars to fade out under announcer's sign off |
06/24/1957 | The Blues Walk (Somebody Done Stole My Blues, Loose Walk) | Alto Sax | 24 bars (2 choruses) |
06/24/1957 | Leila's Blues (Movin', Kunteta's Blues) | Alto Sax | 12 bars (1 chorus) |
06/24/1957 | Man of Moods | Alto Sax | 32 bars (1 chorus) |
06/24/1957 | There Will Never Be Another You | Alto Sax | 48 bars (1.5 choruses) |
06/25/1957 | Blues for Tomorrow | Alto Sax | 36 bars (3 choruses) |
06/26/1957 | Epistrophy | Alto Sax | 64 bars (2 choruses) piano out |
06/26/1957 | Well, You Needn't | Alto Sax | 64 bars (2 choruses) |
07/05/1957 | Bat Land | Alto Sax | 48 bars (4 choruses) |
07/05/1957 | Love for Sale | Alto Sax | 128 bars (2 choruses) |
07/05/1957 | Splittin' (Ray's Way) | Alto Sax | 112 bars (2 choruses) |
07/30/1957 | Ergo the Blues (Jones Bones) | Alto Sax | 48 bars (4 choruses) |
07/30/1957 | Ergo the Blues (Jones Bones) | Alto Sax | 36 bars (3 choruses) |
07/30/1957 | Exhibit A | Alto Sax | 64 bars (2 choruses) |
07/31/1957 | Capri | Alto Sax | 36 bars (1 chorus) |
07/31/1957 | Splittin' (Ray's Way) | Alto Sax | 56 bars (1 chorus) |
08/01/1957 | Byrd in Hand (High Step) | Alto Sax | 64 bars (2 choruses) |
08/01/1957 | Passade (Under the Stars) | Alto Sax | 64 bars (2 choruses) |
08/09/1957 | Bangoon | Alto Sax | 64 bars (2 choruses) |
08/09/1957 | Bat Land | Alto Sax | 72 bars (6 choruses) |
08/09/1957 | Blue Lights | Alto Sax | 20 bars (2 choruses less 4-bar sendoff) |
08/09/1957 | Imagination | Alto Sax | 72 bars (2 choruses), coda, cadenza |
08/09/1957 | Onion Head | Alto Sax | 36 bars (3 choruses) |
08/09/1957 | Xtacy | Alto Sax | 64 bars (4 choruses) |
08/23/1957 | I Remember Clifford | Alto Sax | 16 bars |
08/23/1957 | I Remember Clifford | Alto Sax | 8 bars |
08/23/1957 | Now See How You Are | Alto Sax | 20 bars (2 choruses less 4-bar sendoff) |
08/30/1957 | Evening in Casablanca | Alto Sax | 22 bars starting from bridge |
08/30/1957 | Evening in Casablanca | Alto Sax | last 14 bars of form |
08/30/1957 | Satellite | Alto Sax | 56 bars (1 chorus on different form than head) |
08/30/1957 | Social Call | Alto Sax | 36 bars (1 chorus) |
09/03/1957 | Early Bird | Alto Sax | 6 bars of 1st chorus head |
09/03/1957 | Early Bird | Alto Sax | 60 bars (5 choruses) |
09/03/1957 | Early Bird | Alto Sax | 6 bars of last head |
09/03/1957 | Elgy | Alto Sax | 8 bars bridge |
09/03/1957 | Elgy | Alto Sax | 64 bars (2 choruses) |
09/05/1957 | Stablemates | Alto Sax | 54 bars (4 + 14 +36) |
09/05/1957 | Steppin' Out | Alto Sax | 64 bars (2 choruses) |
09/06/1957 | Seabreeze (Sea Breeze) | Alto Sax | 24 bars |
09/06/1957 | Seabreeze (Sea Breeze) | Alto Sax | 12 bars |
09/06/1957 | Seabreeze (Sea Breeze) | Alto Sax | 8 bars and cadenza |
10/17/1957 | Capri | Alto Sax | 36 bars (1 chorus) |
10/17/1957 | Just by Myself | Alto Sax | 18 bars (0.5 chorus) |
10/17/1957 | Whisper Not | Alto Sax | 16 bars (0.5 chorus) |
12/17/1957 | Just by Myself | Alto Sax | 18 bars (0.5 chorus) |
12/17/1957 | A Night at Tony's | Alto Sax | 32 bars (1 chorus) |
12/17/1957 | Reminiscing | Alto Sax | 8 bars |
06/02/1958 | Bangoon | Alto Sax | 32 bars (1 chorus) |
06/02/1958 | Blues March | Alto Sax | 24 bars (2 choruses) |
06/02/1958 | Little Susan | Flute | 32 bars (1 chorus in 3/4) |
06/02/1958 | Lullaby for Milkman | Alto Sax | 32 bars (0.5 chorus) |
06/02/1958 | My Ideal | Baritone Sax | 16 bars with Jones obbligato |
06/02/1958 | Seabreeze (Sea Breeze) | Alto Sax | 44 bars (1 chorus) head and improvisation |
06/02/1958 | Seabreeze (Sea Breeze) | Alto Sax | 8 bar interlude |
06/02/1958 | Seabreeze (Sea Breeze) | Alto Sax | 16 bars including coda |
06/03/1958 | Baba's Blues | Tenor Sax | 24 bars (2 choruses) |
06/03/1958 | Baba's Blues | Tenor Sax | 12 bars (1 chorus) |
06/03/1958 | Cold Breeze | Alto Sax | 32 bars (1 chorus) |
06/03/1958 | Cold Breeze | Alto Sax | 30 bars (1 chorus less 2-bar break) |
06/03/1958 | In a Sentimental Mood | Tenor Sax | 16 bars (0.5 chorus) |
06/03/1958 | In a Sentimental Mood | Tenor Sax | 8 bars |
06/03/1958 | In a Sentimental Mood | Tenor Sax | 8 bars |
06/03/1958 | It Don't Mean a Thing | Tenor Sax | 16 bars (0.5 chorus) |
06/03/1958 | Rich and Creamy | Clarinet | 16 bars with Jones obbligato |
06/03/1958 | Rich and Creamy | Clarinet | 8 bars |
06/03/1958 | Somewhere | Alto Sax | 32 bars (1 chorus) |
06/03/1958 | Somewhere | Tenor Sax | 2X4 bars call and response with sax section |
11/20/1958 | What Is This Thing Called Love? | Alto Sax | 64 bars (2 choruses) |
03/01/1960 | Caravan | Alto Sax | 64 bars (1 chorus) |
03/01/1960 | Down Home | Alto Sax | 32 bars (2 choruses) |
03/01/1960 | I'll Walk Alone | Alto Sax | 32 bars (1 chorus) |
03/01/1960 | I'll Walk Alone | Alto Sax | 8 bars bridge |
03/01/1960 | I'll Walk Alone | Alto Sax | cadenza |
03/01/1960 | Sonor (Sonar) | Alto Sax | 32 bars (1 chorus - head is actually 30 bars) |
03/01/1960 | Stompin' at the Savoy | Alto Sax | 8 bars |
03/01/1960 | Stompin' at the Savoy | Alto Sax | 4 bars |
03/01/1960 | Stompin' at the Savoy | Alto Sax | 4 bars |
03/01/1960 | Take the "A" Train | Alto Sax | 32 bars (1 chorus) |
03/01/1960 | Take the "A" Train | Alto Sax | 4 bars |
03/11/1960 | Back Breaker | Alto Sax | 16 bars (0.5 chorus) |
03/11/1960 | Blues in the Jungle | Alto Sax | 36 bars (3 choruses) |
03/11/1960 | Down Home | Alto Sax | 64 bars (4 choruses) |
03/11/1960 | Ergo the Blues (Jones Bones) | Alto Sax | 48 bars (4 choruses) |
03/11/1960 | Leila's Blues (Movin', Kunteta's Blues) | Alto Sax | 144 bars (12 choruses) piano out on 1st four |
03/11/1960 | Let Me Know | Alto Sax | 84 bars (3X28) |
05/03/1960 | Don't Worry 'Bout Me | Alto Sax | 32 bars (1 chorus) |
05/03/1960 | Frankie and Johnnie (Frankie and Johnny) | Alto Sax | 36 bars (3 choruses) piano out on 1st |
05/03/1960 | Lover Man | Alto Sax | 32 bars (1 chorus) |
05/03/1960 | Lover Man | Alto Sax | 16 bars starting from bridge |
05/03/1960 | Minority | Alto Sax | 16-bar interlude |
05/03/1960 | Minority | Alto Sax | 64 bars (4 choruses) |
05/03/1960 | Nica's Tempo | Alto Sax | 44 bars (1 chorus) |
05/03/1960 | Summertime | Alto Sax | 32 bars (2 choruses) |
06/07/1960 | Blues in Bloom | Alto Sax | 64 bars (2 choruses) |
06/07/1960 | Boxer's Blues | Alto Sax | 24 bars (2 choruses) |
06/07/1960 | Monday Through Sunday | Alto Sax | 36 bars (3 choruses of blues form - head is 28 bars) |
06/07/1960 | The Rat Race Blues | Alto Sax | 168 bars (14 choruses) in Bb |
06/07/1960 | Strange Feelin' | Alto Sax | 48 bars (3 choruses) |
06/07/1960 | Strange Feelin' | Alto Sax | 32 bars (2 choruses) 4-bar exchanges with Williams and Wyands |
11/07/1960 | A Night in Tunisia | Alto Sax | 64 bars (2 choruses) |
11/07/1960 | A Night in Tunisia | Alto Sax | cadenza |
11/09/1960 | Blue Lights | Alto Sax | 20 bars (2 choruses less 4-bar send off) |
11/09/1960 | Dearly Beloved | Alto Sax | 32 bars (1 chorus) |
11/09/1960 | Kucheza Blues (Gee Blues Gee) | Alto Sax | 64 bars (2 choruses in 3/4) |
11/10/1960 | Caravan | Alto Sax | 64 bars (1 chorus) piano out, vibes comping |
11/10/1960 | Reminiscing | Alto Sax | 8 bars |
11/10/1960 | Reminiscing | Alto Sax | 8 bars |
11/10/1960 | Reminiscing | Alto Sax | 4 bars |
11/10/1960 | Take the "A" Train | Alto Sax | 32 bars (1 chorus) |
11/10/1960 | Take the "A" Train | Alto Sax | 4 bars |
11/10/1960 | Yesterdays | Alto Sax | 8 bars |
11/10/1960 | Yesterdays | Alto Sax | 64 bars (2 choruses; long meter) |
11/17/1960 | Kucheza Blues (Gee Blues Gee) | Alto Sax | 48 bars (2 choruses in 3/4) |
01/01/1961 | Blues in Bloom | Alto Sax | 32 bars (1 chorus) |
01/01/1961 | Dancing the Gigi (Strange Feelin') | Alto Sax | 24 bars (2 choruses) |
08/19/1961 | Blues in Bloom | Alto Sax | 64 bars (2 choruses) |
08/19/1961 | Down Home | Alto Sax | 32 bars (2 choruses) |
08/19/1961 | A Night in Tunisia | Alto Sax | 64 bars (2 choruses) |
08/19/1961 | A Night in Tunisia | Alto Sax | 8 bars bridge |
08/19/1961 | A Night in Tunisia | Alto Sax | cadenza |
08/19/1961 | A Premonition of You (Premonitions of You, Baby G) | Alto Sax | 16 bars |
08/19/1961 | A Premonition of You (Premonitions of You, Baby G) | Alto Sax | 8 bars |
08/19/1961 | A Premonition of You (Premonitions of You, Baby G) | Alto Sax | 12 bars starting from bridge |
08/19/1961 | A Premonition of You (Premonitions of You, Baby G) | Alto Sax | cadenza |